Ben Lee, Hey You. Yes You (F-2 Music)
reviewed by john wenzel
You'd think producer Dan the Automator (Dr. Octagon,
Handsome Boy Modeling School) and ex-indie prodigy Ben
Lee would combine to produce some kind of melodic,
experimental pop on par with Beck or other
genre-blurring chameleons. You'd expect music that
slathers the Automator's damaged rhythmic brilliance
with irresistible pop melodies and simple, effective
guitar lines.
You would be wrong.
Sounding like a nutless, wannabe facsimile of the
already-nutless Richard Ashcroft, Mr. Lee drags his
increasingly tedious voice through 12 tracks of bland,
radio-ready pap like "Running With Scissors" and
"Something Borrowed, Something Blue." The Automator
does his best to liven up the proceedings, but Lee's
adult contemporary songs just aren't suited to his
touch. It's like forcing Gang Starr's DJ Premier to
produce a Clay Aiken album: painful crap that wastes
perfectly good beats and rhythms.
Not that the songs would be good in another context.
Even if recorded by Bob Pollard on a 4-track, this
shit plays like the work of a shameless fraud. The
lyrics throw out faux-clever rhymes and clichéd
sentiment with ferocious abandon, leading me to wonder
if Lee isn't courting the pre-teen/TRL set at the
urging of some tanned record exec. The brilliant
flashes of melody that made Lee's teenage indie rock
band Noise Addict (and to an extent, his first solo
album Grandpa Would) so engaging are completely
absent, replaced by grating repetition and sub-par
background music that never delivers on its implied
melodicism.
Most frustrating is the fact that Lee sounds
hopelessly compromised. You can just feel his talent
draining away on these tunes, most of which would
sound embarrassingly earnest even for the Dawson's
Creek soundtrack. Baby I'm Bored, the
recent solo album from Evan Dando, featured three
excellent Lee-penned tunes, so it's obvious he hasn't
lost it completely. Still, Lee's transition from
exciting songwriter to nondescript radio whore is
disconcertingly close to completion. Impossible to
listen to even once-through, Hey You. Yes You
is a puzzling dud from one of the (formerly) more
interesting artists out there, as disappointing and
blatantly commercial as Liz Phair's newest
dud…
Let's hope his upcoming project The Bens (with Ben
Folds and Ben Kweller) injects a bit more rock 'n roll
playfulness into his aging bloodstream. The world
already has too many white-soul electro-ballads for
its own good.
Issue 15, September 2003
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